The Pseudomancer New York, New York
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supported by 16 fans who also own “Caught In A Beetle's Maw”
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supported by 15 fans who also own “Caught In A Beetle's Maw”
Experimenting with contrasts – electronics/acoustic instruments, screams/whispers, sound textures/heavy distortions – this album delivers an intense experience charged with profound multifaceted emotions. The structures and melodies are beautifully written, and the songs remain consistently musical. A glorious conclusion to the IP journey that combines all the elements that made me fall in love and follow this project for almost 20 years and pushes them even further. Thank you for the music.
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A Diminished Tomorrow
by I, Parasite
supported by 14 fans who also own “Caught In A Beetle's Maw”
I'm becoming an even bigger fan of I, Parasite. Songs like "Piety" caught me, and "Silenced" is pulling me further in.
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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Adaptive Emotional Use
by Death Kneel
The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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supported by 14 fans who also own “Caught In A Beetle's Maw”
go to album
